IELTS Reading Practice Test 3 · Passage 1
The humble pencil
How a black mineral from an English valley became the world's most familiar writing tool
Few objects are as ordinary as the pencil. Billions are made every year, and most of us have used hundreds of them without giving them a moment's thought. Yet the pencil has a long and surprisingly eventful history, involving a remote valley in northern England, a war between two great powers and a legal dispute that reached the highest court in the United States. Even its name is misleading. The 'lead' in a pencil contains no lead at all; it is made of graphite, a soft form of carbon, mixed with clay.
The story begins some time in the sixteenth century, when a large deposit of unusually pure graphite was found at Borrowdale, in what is now the Lake District of north-west England. According to local tradition, it was shepherds who first put the black substance to use, marking their sheep with it. Because it looked like lead and left a dark mark, it became known as 'black lead' or 'plumbago', and it was not until 1779 that the Swedish chemist Carl Wilhelm Scheele showed that it was actually a form of carbon. A few years later the mineral was given its modern name, graphite, from a Greek word meaning 'to write'.
Borrowdale graphite was so pure that it could be sawn into thin sticks and used directly, and it soon became extremely valuable. As well as being used for writing and drawing, it was needed to line the moulds in which cannonballs were cast, and the Crown took control of the supply. The mine was opened for only a few weeks each year, miners were searched at the end of their shifts, and in 1752 Parliament made the theft of graphite a crime that could be punished by transportation to a distant colony. Meanwhile, craftsmen had begun to enclose the fragile sticks in wood, which made them cleaner and easier to hold.
For two centuries, England's near monopoly meant that other countries had to make do with poorer materials. In Germany, pencil makers around Nuremberg mixed powdered graphite with sulphur and other substances, but the results were inferior to the English product. The situation became critical for France in the 1790s, when war with Britain cut off its supply. The French government asked Nicolas-Jacques Conté, an engineer and inventor, to find a solution, and in 1795 he patented a process that is still the basis of pencil manufacture today. Conté ground graphite into a fine powder, mixed it with clay and water, and baked the mixture in a kiln. Crucially, by changing the proportion of clay, he could make leads of different hardness: the more clay, the harder the lead and the paler its mark; the more graphite, the softer the lead and the darker the line.
Modern pencil production follows the same principles on an industrial scale. First, graphite and clay are ground together with water until the mixture is completely smooth. This paste is then forced through a narrow opening to form long, thin rods, which are cut to length and dried. The rods are fired in a kiln at a very high temperature, which makes them hard, and afterwards they are soaked in hot wax so that they will move smoothly across the paper. Meanwhile, blocks of wood are cut into small flat boards called slats, and parallel grooves are cut into each one. The leads are laid in the grooves, a second slat is glued on top, and the resulting 'sandwich' is cut into several individual pencils, which are then shaped, sanded and painted.
The wood is chosen with equal care. Most good pencils are made from cedar, much of it grown in California, because it is soft enough to sharpen easily but does not split or bend out of shape. Pencils are also graded according to the hardness of their leads. In much of the world, H indicates a hard lead and B a soft, black one, with HB in the middle, so a pencil marked 6B gives a far darker line than one marked 2H.
The last important addition to the pencil was the eraser. For a long time, people removed pencil marks with pieces of bread, but in 1770 the English scientist Joseph Priestley noted that a substance from South America could rub them out, which is why it came to be called 'rubber' in English. In 1858, a Philadelphia stationer named Hymen Lipman received a patent for a pencil with a piece of rubber attached to one end. Lipman later sold the patent for $100,000, but its new owner's attempt to defend it ended in failure: in 1875 the US Supreme Court ruled that combining two existing objects was not a genuine invention, and the patent was declared invalid. Even so, the pencil with an eraser on the end became standard in the United States, although in Europe many pencils are still sold without one.
Today the pencil competes with pens and screens, yet it has not disappeared. Artists value the range of tones it can produce, and it works in conditions in which many pens fail, such as in freezing temperatures or when held upside down. The basic design, meanwhile, has changed remarkably little since Conté's time.